The Golden Globes ceremony ignored politics. But their big winner taps today’s unhappy turbulence | Peter Bradshaw

Mon, 12 Jan 2026

One Battle After Another engages with the tense climate of the second Trump administration unlike any other contender

Now that the political scene in the contemporary United States looks like an unending string of military PR coups for the Trumpian right at home and abroad, it’s appropriate that Paul Thomas Anderson’s spectacular, mysterious counterculture epic One Battle After Another – with Leonardo DiCaprio as a clueless, dishevelled ex-revolutionary – should consolidate its current position as one of the leading movies of this awards season: winning four Globes including best musical or comedy and best director for Paul Thomas Anderson – whose fluency, productivity and pure technique and ambition are arguably making him America’s pre-eminent film-maker. The excellent Teyana Taylor got best supporting actress.

This is a movie scene in which no mainstream is directly attacking the Trump regime head-on (such as, say, Ali Abbasi’s satirical Trump biopic The Apprentice) but there is something in Anderson’s film that inhales and intuits both the current febrile mood of reactionary hysteria and the tension and depression of those opposing it. Sean Penn wasn’t up for any Globes last night for his role as the bullish and yet pathetic Col Lockjaw in One Battle After Another, the oppressor despised by his masters, but I see a great deal of Lockjaw in Pete Hegseth and Marco Rubio, the disposable courtiers uneasily standing ramrod straight behind the president at public events.