Growing pains: the struggle to make a must-see gen Z TV show

Tue, 09 Dec 2025

Hollywood is still trying to court younger audiences but this year’s crop of new comedies, from Adults to I Love LA, have yet to prove essential

This year, despite not particularly liking the show nor wanting to, I have thought a lot about the opening scene to Adults. The FX half-hour comedy about a group of recent college graduates in New York begins, naturally, on the subway; what seems like an over-studied portrait of early adulthood intimacy – tangled limbs, in-group references, aggressively relaxed banter – quickly devolves into a standoff between a creepy subway masturbator and the group’s instigator, Issa (Amita Rao), trying to out-masturbate him to make a wildly off point about feminism. “Is this the world you want?!?” she shouts at him, hand vigorously in pants.

The moment is intentionally off-putting, perhaps too much so – I’m as ripe as anyone for surprise, but found the try-hardness of this shock memorably irksome. Yet it’s also unintentionally revealing: this, it implicitly screams, is a show to get young people’s attention. A similar anxiety courses through the opening of I Love LA, HBO’s west-coast rejoinder to Adults that is similarly pitched as a zeitgeist-y take on the thrilling chaos of young adulthood. We meet Maia, played by creator and co-writer Rachel Sennott, mid-sex with her boyfriend, heedlessly determined to come before going to work, even if it means ignoring an earthquake.